Inspiring Print Transformation with Ricoh’s Pro C7100X

Graham Moore -business development director for Ricoh Europe

Graham Moore -Director Business Development, Ricoh Europe

Since the launch of Ricoh’s  Ricoh Pro C™ 7100X digital press   we have found that many Print Service Providers (PSPs) have been able to offer a  new level of value added capabilities to their clients.

The key to this is the highly accessible and cost effective fifth colour on the cut sheet digital press.

PSPs are discovering just how the fifth colour can produce an amazing array of eye-catching effects, particularly in combination with speciality media. By using the 5th colour station they can enhance their print offerings by printing on a variety of speciality media such as black or coloured sheets, transparency or metallic media.

 

Adding a fresh dimension

PSPs can choose the fifth colour to add a fresh dimension to all elements of print, from books and brochures to business cards, invitations, posters and packaging.

The ability to print additional colours, other than CMYK, such as clear gloss and white toner provides added value. So does offering spot gloss, flood, and watermarks along with printing on coloured and clear media inline, with no need for separate costly and time consuming processes.

We have seen customers develop some very special applications around the fifth colour supported by an ever growing choice of substrates and value added software products such as Color-Logic.

A number of examples have really stood out for me are as follows.

  • white toner used in combination with metallic board to create a hot-foil effect on the HarperCollins childrens book covers we demonstrated at drupa
  • Black envelopes such as those from Blake Envelopes which we used to create impact as part of our own drupa marketing campaign.

Here’s how the 5th colour station is helping some Ricoh customers to strengthen relationships with their clients.

Pushing the boundaries with some amazing results

It is the flexibility of the Pro C7100X that appealed to Dutch operation Benda Drukkers. They  use a lot of unusual paper types for their portfolio of services ranging from business stationery to brochures and books. With the white toner Benda Drukkers also now produces a high image quality on coloured media.

Loesje Benda, owner of Benda Drukkers,  says the operation can now offer existing customers a broader portfolio. It can print on all kinds of special paper stocks, as well as envelopes and even plastics. This versatility has also attracted a new audience of, for example, graphic designers.

The business has been able to bring in new clients as a result of its Pro C7100X. And, by inspiring people to use the new possibilities in creative ways, its print volume is on the rise as well.

He says that adding white and clear enables it to produce all kinds of special effects that no regional competitors can match. It allows them to get ahead of the game and create new applications and opportunities.

More about Benda Drukkers

Another fan is family owned printer Offsetpaino L.Tuovinen Ky, Finland. It printed its own business cards on 0.3mm birch veneer using white and CMYK.

More about Offsetpaino L.Tuovinen Ky
To learn more about the fifth colour please watch https://youtu.be/r73ZlELmk_I

For application ideas please visit ..

https://ricohppshowcase.wordpress.com/2016/05/20/amazing-5th-colour-applications-at-drupa/

 

New whitepapers available

Ricoh has commissioned Smithers Pira to create a series of whitepapers. These look at opporunities for Print Service Providers to open new worlds in a number of key market segments.

Whitepapers available now:

Ricoh Pira whitepaper – Corporate Print: bringing the world in-house

Ricoh Pira whitepaper – Digital commercial print: the new world order

Ricoh Pira whitepaper – Direct Marketing: printing the personal

Ricoh Pira whitepaper – Retail point-of-sale: the new frontier for consumer engagement

Ricoh Pira whitepaper – The new world of publishing with virtual stock

Reflections on drupa 2016

After 11 frenetic days of meeting with our customers, listening to their needs and challenges and showcasing how our range of products, solutions and services support our clients’ needs, I want to take a moment to reflect on our drupa 2016 adventure.

Our theme for this year’s drupa, ‘Open New Worlds’ was developed to focus on the opportunities and challenges that our customers see in their sphere. What we wanted to let our visitors know was that no matter their size, sector or ambitions we can help them build from their strengths, creating more opportunities for them to grow and evolve. Welcomed in our theatre, customers, press and industry analysts enjoyed hosted tours to experience this first hand.

On the product side, we presented the latest versions of our cut sheet printers including the Ricoh Pro™ C7100 series and the Ricoh Pro™ C9100 series. In the continuous feed sector we put the spotlight on our newly enhanced Ricoh Pro™ VC60000 high speed inkjet platform. Live demonstrations of these in the Commercial Print, Direct Marketing, Publishing and Corporate zones, and in our lean manufacturing Smart Factory, highlighted the innovative applications, quality output and the broad range of services our presses offer.

Many of our clients agreed and signed on stand deals. Among the sales we celebrated were a Pro C7100 for Cicero, and Nationwide Print who chose MarcomCentral to support production on its new Pro C7100. Cicero also ordered a Pro C9110 as did Magneet Communicatiecentrum, Ecograf, Datum, Deltor, Impremta and CFH Documail – to name but a few of our clients trusting our technology to support their growth.

We were also very excited to celebrate the sales of our Pro VC60000. EDC was our first customer in Eastern Europe, while Adare ordered two lines and CFI opted to add a second. This latest addition to our portfolio is gathering market momentum, as our clients learn and embrace how its combination of productivity and high quality can help them be more cost effective and profitable.

We had a very busy industrial print zone, where we showcased the powerful opportunities offered by additive manufacturing, industrial inkjet printheads, direct to shape coding and marking as well as branding product decoration.

To add to that, we announced our entry into the vibrant signage market, by adding EFI VUTEk flatbed printers to our portfolio. The decision builds on the success of our large format portfolio of print production solutions.

There was a lot of discussion surrounding the overall theme of drupa 2016. Connectivity was a topic that ran through the show like a red thread, for all solutions and in every sector.  Many of our visitors were looking for software and services that will enable them to connect and integrate different workflow streams and production environments.

In our Studio, many visitors discovered the capabilities of our TotalFlow portfolio including TotalFlow Cloud Suite, and learned how they could improve productivity, add value and open up new opportunities.

Graham Moore -business development director for Ricoh Europe

Graham Moore -Director Business Development, Ricoh Europe

Finally, it’s important to remember that an event like drupa is only as good as the people who make it happen. It’s been a real pleasure for us all working with colleagues to make drupa such a powerful event. We couldn’t have made it the success it was without all the hard work that people put in. Ricoh really is a company that is driven by passion and dedication, and where imagine.change is not just a brand, but an expression of the talent and commitment of our team.

 

Open New Worlds Photoshoot – Commercial and Corporate Print

The location

The location we selected for the Commercial and Corporate shoot was a strikingly beautiful and dramatically designed home in Wilmslow, Cheshire, UK. The home of a renowned artist, it has been used as the setting for great brands and will feature in a forthcoming series of Cold Feet, the UK TV drama. It also appeared in the March edition of Grand Designs magazine. The house is also right around the corner from Lindow Common, where the body of a mid-first century AD man was found, preserved in a bog. The Lindow Man can be found on permanent display at the British Museum.

In order to accommodate both shoots in one location, we needed flexibility of space, with one room that could be dressed to replicate a fashion student’s bedroom and one that could be used as a gallery space. We were fortunate that the house actually had its own gallery space so we could remove the contents and use gel lighting to create the desired vibrant shades on the wall.

The idea

Commercial Print – we wanted to capture the wonder of seeing colour for the first time, to highlight the breathtaking print quality available through Ricoh’s digital print technology.
So we created an image of someone entranced by amazing colours.

Corporate Print  –
the idea was to focus on a fashion designer of the future, working in their bedroom, to illustrate how Ricoh’s intelligent digital print technology can help universities attract new talent, and enable other corporations to communicate effectively.

 

The Results

A suite of images for the Commercial and Corporate route, to be used throughout the campaign.

Responding to the new publishing landscape

Publishers face many challenges in a rapidly evolving marketplace, but Ricoh’s new Pro VC 60000 means that long lead times on new publications need not be one of them

Ricoh VC60000 Colour Inkjet in action at Hansaprint, Finland

Ricoh VC60000 Colour Inkjet in action at Hansaprint, Finland

How things have changed. Only a few years ago people were predicting the death of the book as, e-books achieved exponential sales growth.

But two significant developments have demonstrated that the print book market remains alive and well.

Several weeks ago British high street bookseller Waterstones decided to stop selling Kindles due to “virtually no sales”, perhaps marking a watershed in the evolution of e-books. More recently, Amazon announced that it was opening a physical book store in Seattle.

So what is going on in the market—and what next for books?

Have e-books now reached their plateau?

Since the introduction of Amazon’s Kindle device, e-books have seen meteoric growth. They now account for nearly 25% of book sales in the US, and nearly 15% in the UK. However, many people that we talk to within the publishing industry believe that e-book sales have reached a plateau, especially in the US and UK. Indeed, the latest data from Nielsen shows that physical books sales actually increased, by 2% year on year.

This coincided with a decrease in e-book sales for the first time ever in the US.

But this does not necessarily mean that people have fallen out of love with e-books—rather, it indicates a wider pattern.

First, the e-book market is maturing.

The “land-grab” days are over, when e-book makers, content providers and publishers cut prices to drive market share. There has been consolidation among e-book providers.

Recent e-book price rises implemented by Amazon have made e-books less attractive as an alternative to print. “Large book publishers—including Hachette, HarperCollins and Simon & Schuster—recently won, after a hard-fought battle, the ability to set their own prices for e-books. But now, as prices for many e-books have risen, the industry is seeing a slump in sales,” reports Nova Safo, a broadcast journalist for Marketplace.

Last but not least, printed books have proven to have an enduring appeal. Whereas there has been a wholesale shift from print to electronic in some segments—especially academic journals and novels—in other segments, demand for print remains strong, with year-on-year growth in Adult Non-Fiction (+5%), Adult Fiction (+3%), Juvenile Non-Fiction (+11%, all data from Nielsen). Perhaps this should not be such a great surprise. Electronic delivery has revolutionised the journals market and expanded the reach of scientific and medical publishing. However, there is strong demand for printed children’s books.

The new world of publishing

So the bigger picture has been that, while demand for individual books has been declining, the dynamics of the market have been changing. There has been an explosion in the number of new titles published. In fact, according to European Book Publishing statistics, in the EMEA markets, more than 500,000 new titles are now published every year.

At the same time, Amazon has set the bar high for customer service. Increasingly consumers are expecting fast delivery—of around 24 hours for a paperback, or 48 hours for hardback.

This creates a whole new business model. Publishers increasingly need to plan their business around high availability of a very large range of titles, and low stock levels to reduce their risk. Nowadays, a major publisher will typically have 80,000 plus titles available via Print on Demand.

In a way this is the same as delivering e-books: consumers can access a large catalogue and can order what they want, when they want it.

Virtual stock means print to order

This is exactly what major academic and scientific publisher Elsevier has been doing with its journals, which are literally printed to order in very small quantities using a highly efficient supply chain.

Key to this are the latest developments in digital print technology. The first wave of colour inkjet devices used by book manufacturers has helped to change the market by providing a compelling business case for short runs, produced quickly. This has already revolutionised the academic book market and some areas of mono trade books.

Now, with the launch of new colour inkjet devices such as the Ricoh Pro VC 60000, it is now feasible to print colour trade books in the same way. At our recent publishers event, held in Boulder, Colorado, we demonstrated that the Pro VC can now deliver a quality that can actually be better than offset. This opens up many new opportunities for publishers to take advantage of the compelling business case for short-run (and long-run) colour inkjet printing for books and journals that were either printed offset—or indeed, not even printed at all.

The ‘infinite print run’

These are exciting times for publishing and book manufacturing. The whole business model is changing.

For publishers this not only reduces their risk, but also opens up significant opportunities to extract more value from their content. Now it is viable to produce even high-quality, colour trade books in very small quantities—and in short lead times too. This potentially means that books can be launched to the market quicker and be kept in print indefinitely.

To find out more about Ricoh’s solutions for publishing, visit www.ricoh-europe.com/publishing

This article originally appeared in the FutureBook 2015 Conference Programme. 

What do book manufacturers need to do to deliver what publishers are looking for?

[GUEST BLOG]

Introduction: Publishing is changing

Director, Print Research International Ltd

John Charnock, Director, Print Research International Ltd

It is very clear to see how publishing is changing in the world today; first music publishers, then newspaper publishers and now magazine and book publishers are finding that their markets are changing beyond recognition. These changes are a double-edged sword. On the one hand it represents a significant opportunity but on the other we will see traditional volumes decline and the traditional manufacturing model become increasingly inappropriate.

Traditional manufacturing equipment is no longer adaptable enough for this changing market. I doubt that a 30,000 books per hour binding line like the Muller Martini Corona I installed into a major UK Book Manufacturer some 10 years ago will ever be needed again in most markets.

Why? Well, the needs of the modern book publisher are changing and as suppliers we need to adapt.

Historically trade book print runs were 2000 – 3000 copies and these were bulk packed and supplied to the publishers warehouse. Publishers had millions of pounds held in inventory within in their warehouse. Volumes and margins were sufficient to have time to manufacture and store on a quarterly cycle. Today, with financial pressures on publishers and the ebook pushing down price, the market is much less predictable. Having lots of inventory and the risk of holding unsold stock is becoming unattractive to today’s publishers.

Even using traditional equipment regular orders of 500 copies is not uncommon but the trend for lower quantities and more frequent order cycles is obvious.  So where is the trend going and what are publishers really looking for in the longer term ?

What is the Holy Grail for publishers ?

Trade Mono books have been the fastest to change, because they are relatively cheap, they are much less predictable in terms of sales and within the UK there is still a large proportion produced in the UK. Colour books however, are still mostly produced in the Far East or countries with a low cost base.

Let’s deal with mono trade books first, We have seen a significant investment in digital mono trade books in the UK with Clays, CPI and many others like Ashford and TJ International investing in inkjet production.  This investment means that the mono trade book market is largely manufactured on a retail “on demand” basis.

I believe that once the mono trade book supply chain is established it will not be long before the colour trade book market will follow similar lines.

The reason for this belief is as follows:

Publishers need to react to the market place, sales are less predictable and it is becoming more and more difficult to be sure which titles will be successful and which ones will not.  A publisher once said to me “ I have 5000 titles – I know 30% will be big sellers, I just don’t know which 30% that will be”

We also know it takes 3 days to get a book into a publisher’s warehouse and process it.  It then takes 3 days to get it out again.   6 days is too long in today’s publishing world – Publishers need to be able to look at the retail and internet sales that occur in the prior week and order or replenish for the following week – it is that simple.

That means that ultimately we will need to produce orders of 200-500 on a 3-day turnaround  as a minimum, even with traditional equipment. Looking forward, there will continue to be pressure to offer increased availability in order to service publishers at the level that they require which will mean that digital colour production will be a requirement. (In my experience Litho simply can not do that).

The switched on printers are taking that principle one stage further. If a printer is delivering an order in 3 days – why not bypass the publishers’ distribution system and warehouse altogether and deliver direct to store? Not as single jobs, but as a mixed batch of titles based on that stores sales the prior week?

If this is possible, with minimum impact on unit cost, this would be the publishers’ “Holy Grail” In some quarters I think that this is happening already. I believe that this is why Penguin/ Harper Collins moved all their trade titles from a two-supplier agreement (St Ives, Clays and CPI) to a single supplier agreement (Clays). The fewer suppliers means better manufacturing and distribution efficiency.

This means that printers will need to print orders of 5- 500 on a weekly or daily order cycle, but these orders will be in significant annual volumes; because the trade market consumes many millions of books per year.

This requires that digital book manufacturing needs to, and is, gearing up to this challenge.

Move To Colour

ElwinStreetbooks_banner

Once inkjet can achieve acceptable colour for the publishers there is no reason why a trade book printer could not migrate to colour and fulfil the majority of titles to the trade market. This represents a significant opportunity for them as colour books have higher value and is a market that they previously did not serve.

Digital inkjet colour is here and many book printers are building their expertise in this area and offering publishers an opportunity to repatriate colour book production from China to the UK and Europe.

This raises some challenges however:

  • For both colour and mono books to be produced in the same factories there needs to be some significant infrastructure changes. There is a need for better quality systems, better workflow and a fully integrated sales order system that integrates with the publishers and retailers ERP systems.

 

  • The Colour market has a significantly higher colour quality requirement, and so colour management and batch to batch consistency will need to be managed. The fear for publishers is that the quality of their brand names and authors names is reduced. Colour books still need to have a high value perception by the general public irrespective of the production process.

 

  • Manufacturing equipment will need to be more automated, more flexible and able to change from one format to another seamlessly. Paper changes and section layouts will need to be able to cope with B format, Royal, A4, A5 as a minimum.

 

  • The logistics of tracking signatures, covers, jackets, cases, and getting the right components in the right place at the right time so that they can be produced efficiently and with a minimum of waste. MIS, barcode and signature recognition, motorized changeovers, JDF and inter device communication as well as integration with external data sources – Carriers, Retail systems will be needed to make sure the supply chain runs smoothly.

What’s the point ?

This seems like a lot of investment, a lot of effort and a significant risk for all involved?  But the benefits are equally high – just look at how Clays has secured a 100% supply deal with Penguin/Random House. This means that the print service provider becomes a much more significant partner to the publisher. Once the supply chain is integrated and the savings have been made for the publisher, the printer becomes a logistics partner, a strategic partner , supplier that is involved with circulation, distribution and is ultimately responsible for making the publisher competitive in a very difficult market.

If I am right about colour inkjet it will meant that a significant amount of colour book production will be repatriated to the local market from the Far East and other regions meaning that a traditional trade book printer can grow significantly- After all there aren’t many traditional colour book printers left in the UK or Europe.

This supply chain model will enable publishers to publish more titles with less up front risk, it will open up local and self publishing opportunities for retail stores and make the book very competitive against other electronic publishing technologies.

Other opportunities will be to open up the deep back catalogue so that publishers can sweat their assets and printers can produce one off products and potentially deliver direct to consumer. As the supply chain and speed to market increases we could see  new products like personalised books, especially for children, to become an every day way of adding value to what was once a commodity product as well as book stores offering more time sensitive products like magazines and newspapers.

As publishing the supply chain changes we will see more products produced locally in order to fulfil the time sensitive needs of the publisher.

John Charnock
Print Research International Ltd

 

This article was commissioned by Ricoh to bring you independent opinions from industry experts. We hope you find our guest speaker’s views interesting and stimulating. We would appreciate your feedback.

Embracing An Inkjet Future

Graham Moore -business development director for Ricoh Europe

Graham Moore -Director Business Development, Ricoh Europe

It is fair to say inkjet’s ability to conquer the complex playing field of comercial print faced initial doubts from some quarters of the graphic arts market.  But just months after announcing the Ricoh ProTM VC60000 continuous feed production inkjet platform, we are now getting a clear idea of how rapidly the market is opening up.

The possibilities are very exciting!

Every fresh conversation we have presents new opportunities. We can see that inkjet presses are frequently replacing web-fed presses for applications like direct mail, books and newspapers, and that there is a growing volume of true commercial print applications going on these presses as well. This is due to the increased quality, flexibility and productivity offered.

Our clients agree.

Zalsman, a leading Dutch media and graphics company, believes inkjet will help it continue to grow and thrive.

Hansaprint, part of the Nordic TS-Group, is discovering new markets.

Parajett, in Sweden, says inkjet is the future when it comes to assuring high quality production.

All have invested in the Ricoh Pro VC60000.

Zalsman chose the press to help it continue to combine craftsmanship with state-of-the-art technologies to harness the potential of Big Data cost-effectively. Hugo Verlind, Director and co-owner, says the business can now offer clients a brighter, better and broader offering.

Jukka Saariluoma, Business Unit Director for Hansaprint, says that from day one clients will benefit from higher print quality and a wider variety of substrates. In the long run, he states, the greatest benefit for end users and for Hansaprint is the ability to produce new and innovative products. Initial focus will be on loyalty programmes, direct mail, transpromo, transactional and books. Jukka predicts that there will be a significant shift of volumes to inkjet both from offset and toner printing.

Our Pro VC60000 has been sold to Parajett, Sweden

Our Pro VC60000 has been sold to Parajett, Sweden

Parajett can often be found at the forefront of market evolution, and Anders Persson, CEO, is confident that the new press will deliver the quality and performance expected. It will also enable Parajett to print with ink, rather than toner, on a wider range of stock, particularly heavier substrates.

Inkjet is not going to stay in its corner. It’s coming out fighting!

As the true potential of these presses, including their capability, productivity and profitability, are better understood and harnessed in the day-to-day production environment, we will learn even more. In turn, as our knowledge grows, we can help clients create a highly effective mix of services that support the demands of an ever-changing end-user landscape.

While the technology is creating a new print production vista, our view of the horizon ensures that we are able to help clients make the most of every new dawn. That is why we believe the Ricoh Pro VC60000 will become a pivotal investment for companies looking to develop and enhance their services.

(This article originally appeared in Whattheythink European Printing Industry Coverage from WhatTheyThink.com)