Brilliant minds

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At the Power of Print 2016 seminar in the history-steeped setting of Stationers’ Hall close to St. Paul’s Cathedral in the City of London, an eclectic and fiercely provocative set of heavy-hitting speakers together created a fascinating picture of print and its value – present and future.

Welcoming a highest ever audience, BPIF CEO Charles Jarrold introduced the seminar in the context of this year of great change, including the evolution of print’s role in the multichannel media mix.

The science

The scientific foundation came from Baroness Susan Greenfield, CBE, member of the House of Lords, scientist, writer and broadcaster. The extraordinary Baroness explained the fundamental differences in the way our brains process information via a screen versus the printed page. Engagement, understanding and recall are all significantly higher from print.

The case for print

The case for print was reinforced by Tiffanie Darke, Founder of Method, News UK’s creative agency.  She reminded us that print carries an authority that nothing else can replicate, and secondly, if you want luxury, digital just doesn’t offer an alternative. She also praised print because it’s a proven “platform multiplier”. In other words, it is great when used in conjunction with other channels to enhance Return on Investment.

British advertising legend Dave Trott described creativity as one of the few remaining legal sources of competitive advantage. Dave’s short but very sharp presentation made it crystal clear that when it comes to creativity, simple is smart and complicated is stupid. And the way to succeed in advertising (print or otherwise) is to break established patterns. Stand out from the common herd, repositioning your competition at the same time.

His assertion that much of the messages we see are not even noticed, let alone forgotten, should be a wake-up call to all of us – the simple diagram below sums up his feelings about the process perfectly.

powerofprint

Combining creativity with astute use of data is maybe the key to a bright future for print. Rachel Aldighieri, Managing Director of the British Direct Marketing Association, showed how powerful the partnership can be. And talked about one-to-one-to millions to express the mass use of personalised and relevant messaging.

Not all plain sailing

There are though powerful tides that can hold print back. Kim Willis, Strategy Director of Cedar Communications, reminded us that marketing directors demand to know how effective their campaigns are. And for print, more than digital media, it is expensive to measure results. Further, there is increasing competition for marketing budgets, including from a growing array of “shiny new things” such as Virtual Reality and Augmented Reality.

The Keep Me Posted campaign to protect the rights of consumers to continue receiving printed communications was shared by The Royal Mail’s David Gold – including its reach beyond the UK into the EU and other countries.

The future is bright

So, what conclusions can we draw about the prospects for print? I have a lot of faith in Jonathon Porritt, the acclaimed environmentalist and writer, and co-founder of the Forum for the Future. Jonathon highlighted the print and pulp industry’s drive towards decarbonisation and the relatively small environmental footprint of print. In this era of VUCA (Volatility, Uncertainty, Complexity and Ambiguity), it was good to hear that print can play a part in reducing the risks of runaway climate change and the disruption it would bring.

Back to Kim Willis of Cedar, and her parting thought, which was that in response to growing consumer immunity to the relentless surge of online marketing, brands are turning to the communications techniques that are more meaningful and cut through. This includes experiential marketing with for example live events. In this quest for impact and authenticity, Kim concluded, print surely has a major role to play.

Last word to Wayne Hemingway, MBE, founder of Red or Dead fashion brand. At the end of the breathless, captivating tale of his rise from “club kid” to design guru, he reflected on the central role of print in all our lives. From clothes to flooring to wallpaper. “Print is never going” he declared. And that I think is a fitting way to sum up a truly inspiring day.

Graham Moore -business development director for Ricoh Europe

Graham Moore -Director Business Development, Ricoh Europe

Thank you Print Power, Two Sides, sponsors, participants and speakers – we all left feeling positive and energised.

Inspiring Print Transformation with Ricoh’s Pro C7100X

Graham Moore -business development director for Ricoh Europe

Graham Moore -Director Business Development, Ricoh Europe

Since the launch of Ricoh’s  Ricoh Pro C™ 7100X digital press   we have found that many Print Service Providers (PSPs) have been able to offer a  new level of value added capabilities to their clients.

The key to this is the highly accessible and cost effective fifth colour on the cut sheet digital press.

PSPs are discovering just how the fifth colour can produce an amazing array of eye-catching effects, particularly in combination with speciality media. By using the 5th colour station they can enhance their print offerings by printing on a variety of speciality media such as black or coloured sheets, transparency or metallic media.

 

Adding a fresh dimension

PSPs can choose the fifth colour to add a fresh dimension to all elements of print, from books and brochures to business cards, invitations, posters and packaging.

The ability to print additional colours, other than CMYK, such as clear gloss and white toner provides added value. So does offering spot gloss, flood, and watermarks along with printing on coloured and clear media inline, with no need for separate costly and time consuming processes.

We have seen customers develop some very special applications around the fifth colour supported by an ever growing choice of substrates and value added software products such as Color-Logic.

A number of examples have really stood out for me are as follows.

  • white toner used in combination with metallic board to create a hot-foil effect on the HarperCollins childrens book covers we demonstrated at drupa
  • Black envelopes such as those from Blake Envelopes which we used to create impact as part of our own drupa marketing campaign.

Here’s how the 5th colour station is helping some Ricoh customers to strengthen relationships with their clients.

Pushing the boundaries with some amazing results

It is the flexibility of the Pro C7100X that appealed to Dutch operation Benda Drukkers. They  use a lot of unusual paper types for their portfolio of services ranging from business stationery to brochures and books. With the white toner Benda Drukkers also now produces a high image quality on coloured media.

Loesje Benda, owner of Benda Drukkers,  says the operation can now offer existing customers a broader portfolio. It can print on all kinds of special paper stocks, as well as envelopes and even plastics. This versatility has also attracted a new audience of, for example, graphic designers.

The business has been able to bring in new clients as a result of its Pro C7100X. And, by inspiring people to use the new possibilities in creative ways, its print volume is on the rise as well.

He says that adding white and clear enables it to produce all kinds of special effects that no regional competitors can match. It allows them to get ahead of the game and create new applications and opportunities.

More about Benda Drukkers

Another fan is family owned printer Offsetpaino L.Tuovinen Ky, Finland. It printed its own business cards on 0.3mm birch veneer using white and CMYK.

More about Offsetpaino L.Tuovinen Ky
To learn more about the fifth colour please watch https://youtu.be/r73ZlELmk_I

For application ideas please visit ..

https://ricohppshowcase.wordpress.com/2016/05/20/amazing-5th-colour-applications-at-drupa/

 

New whitepapers available

Ricoh has commissioned Smithers Pira to create a series of whitepapers. These look at opporunities for Print Service Providers to open new worlds in a number of key market segments.

Whitepapers available now:

Ricoh Pira whitepaper – Corporate Print: bringing the world in-house

Ricoh Pira whitepaper – Digital commercial print: the new world order

Ricoh Pira whitepaper – Direct Marketing: printing the personal

Ricoh Pira whitepaper – Retail point-of-sale: the new frontier for consumer engagement

Ricoh Pira whitepaper – The new world of publishing with virtual stock

Publishers gripped by page-turning book production developments

It’s exciting times for the publishing market.  It is clear to me, from the Interquest Digital Book Forum held on Tuesday 28th in London that, when we look at the publishing market we see it is poised at the beginning of a new world of opportunities.

Benoit C participates in the vendor panel 2

Benoit Chatelard (right) discusses Ricoh’s Vision of the Future at Interquest

Over the last five years we have seen that digital book printing has become mainstream.

Publishers have been taking advantage of the digital printing to go beyond simple print on demand. They are using sophisticated virtual stock strategies and ASR (Automated Stock Replenishment) not only to reduce their inventories (and therefore their risk) but also to revive their backlist catalogues.   So it’s no surprise that, according to Interquest, 89% of print volumes in Europe are now short runs.

In fact according to one publisher at the event, “Print on demand is the hidden saviour of the small publisher.”

Print on demand is the hidden saviour of the small publisher

 

High quality colour – the next breakthrough

We are finding that publishers are now looking to use the benefits of digital printing for as much of their catalogue as possible. This means that they want higher quality for colour books – especially Scientific Journals, Children’s books and trade books. However they also want the costs as close to offset printing as possible – i.e. Inkjet costs.

This requires a level of print quality significantly better than the majority of inkjet systems installed in the marketplace.

That’s why Ricoh’s ProVC60000 colour inkjet platform has been capturing publishers’ attention. It offers superb quality colour inkjet which now make it possible to print high quality books and journals, even on offset coated stocks. Elsevier’s Johan Van Slooten states the detail and the sharpness of the inkjet samples were better, adding: “Digital printing can result in better quality than litho.”

Digital printing can result in better quality than litho.

 

Amazon-like service, worldwide

Publishers see how Amazon.com has effectively set customer expectations with fast turnaround, 24 hour delivery and rapid response.

And this is what publishers are increasingly looking for.

The larger publishers really want to achieve this worldwide – that’s why there was so much interest in local printing and in particular the distribute and print model.

 

A brave new world for book manufacturers

All in all we think this represents a significant challenge for book manufacturers. It’s no longer just about substituting offset with digital, but it’s really about how to re-invent production to take advantage of new industry 4.0 technologies and processes.

Every book printer we talk to confirms that, in this new world of short SLAs, shortening print runs and flexible business models, then automation is essential if they are to continue to be profitable.

That’s why we have launched our new Digital Book Printing Solution. Built on Open Standards such as XML, PDF and JDF, it works with many digital print technologies. It is designed to help book manufacturers produce short run books profitably and cost-effectively. Using Ricoh’s longstanding heritage in financial markets the solution can batch print jobs to make printing more efficient and track and trace work so book printers and publishers alike know exactly where each job is.

Our rapidly growing presence in the European book printing marketplace is supported by our headline grabbing technologies. They include superb quality colour inkjet which now makes it possible to print high quality books and journals  -even on offset coated stocks. Our high performance heavyweight digital toner solution is not only ideal for book covers but also for ultra-short run books.

Print production capabilities, combined with quality and seamless job delivery, enable PSPs to redefine their business approach to more effectively address a broader range of markets.

A model approach

Benoit Chaterlard

Benoit Chatelard Vice President, Production Printing Group, EMEA

Who said print was in decline?  According to Interquest US commercial print volumes have been increasing every year for the past five years.

In our view there is a new mood of optimism in the publishing market. Digital print technologies have enabled publishers to reduce their risks and takes out wastage .

Now it’s time for the next phase. To explore new business models –  and open new worlds in publishing.

 

 

Find out more about Ricoh’s solutions for publishing

Reflections on drupa 2016

After 11 frenetic days of meeting with our customers, listening to their needs and challenges and showcasing how our range of products, solutions and services support our clients’ needs, I want to take a moment to reflect on our drupa 2016 adventure.

Our theme for this year’s drupa, ‘Open New Worlds’ was developed to focus on the opportunities and challenges that our customers see in their sphere. What we wanted to let our visitors know was that no matter their size, sector or ambitions we can help them build from their strengths, creating more opportunities for them to grow and evolve. Welcomed in our theatre, customers, press and industry analysts enjoyed hosted tours to experience this first hand.

On the product side, we presented the latest versions of our cut sheet printers including the Ricoh Pro™ C7100 series and the Ricoh Pro™ C9100 series. In the continuous feed sector we put the spotlight on our newly enhanced Ricoh Pro™ VC60000 high speed inkjet platform. Live demonstrations of these in the Commercial Print, Direct Marketing, Publishing and Corporate zones, and in our lean manufacturing Smart Factory, highlighted the innovative applications, quality output and the broad range of services our presses offer.

Many of our clients agreed and signed on stand deals. Among the sales we celebrated were a Pro C7100 for Cicero, and Nationwide Print who chose MarcomCentral to support production on its new Pro C7100. Cicero also ordered a Pro C9110 as did Magneet Communicatiecentrum, Ecograf, Datum, Deltor, Impremta and CFH Documail – to name but a few of our clients trusting our technology to support their growth.

We were also very excited to celebrate the sales of our Pro VC60000. EDC was our first customer in Eastern Europe, while Adare ordered two lines and CFI opted to add a second. This latest addition to our portfolio is gathering market momentum, as our clients learn and embrace how its combination of productivity and high quality can help them be more cost effective and profitable.

We had a very busy industrial print zone, where we showcased the powerful opportunities offered by additive manufacturing, industrial inkjet printheads, direct to shape coding and marking as well as branding product decoration.

To add to that, we announced our entry into the vibrant signage market, by adding EFI VUTEk flatbed printers to our portfolio. The decision builds on the success of our large format portfolio of print production solutions.

There was a lot of discussion surrounding the overall theme of drupa 2016. Connectivity was a topic that ran through the show like a red thread, for all solutions and in every sector.  Many of our visitors were looking for software and services that will enable them to connect and integrate different workflow streams and production environments.

In our Studio, many visitors discovered the capabilities of our TotalFlow portfolio including TotalFlow Cloud Suite, and learned how they could improve productivity, add value and open up new opportunities.

Graham Moore -business development director for Ricoh Europe

Graham Moore -Director Business Development, Ricoh Europe

Finally, it’s important to remember that an event like drupa is only as good as the people who make it happen. It’s been a real pleasure for us all working with colleagues to make drupa such a powerful event. We couldn’t have made it the success it was without all the hard work that people put in. Ricoh really is a company that is driven by passion and dedication, and where imagine.change is not just a brand, but an expression of the talent and commitment of our team.

 

Industrial Zone at drupa

Here Ricoh will focus on factory automation, the smart factory, track and trace, integrated industrial innovations and specific industrial verticals, especially automotive and healthcare. 

Not to be missed

  • Demonstrations of a wide  of live applications in packaging , robotics and manufacturing
  • Solutions for Additive Manufacturing, Optics, Electronics, IMS, Industrial Inkjet
  • The Rapid Fab Lab will be running Live Master Classes for key clients on demand.

Key Technologies

Technologies on display will include Additive Manufacturing and robotics as well as a number of other Ricoh innovations including in the field of inkjet head development.